In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

View on site | Email this event

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

This event is free and open to the public.

The Torggler gratefully acknowledges the support of The Newport News Arts Commission.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

View on site | Email this event

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

This event is FREE and open to the public.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

This program is FREE and open to the public.

View on site | Email this event

In a practice spanning videos, drawings, objects, and installations, Alex McQuilkin combines psychoanalysis, maudlin sentimentality, dark humor, and deep sincerity to examine the construction of female identity in Western culture. Her work has been exhibited internationally since 2000 and she currently serves as Assistant Professor of Art at Binghamton University, StateUniversity of New York (Binghamton, NY).

Admission: free

View on site | Email this event

This major retrospective, the first devoted to the artist, presents a survey of Reed’s art and accomplishments from his early days as a graphic designer in 1950s New York to his success as one of the founding artists of the Washington Color School in the 1960s to the aesthetic reinventions of his later work. Reed’s life was devoted to art and endless exploration of the many and varied properties of and approaches to form, color, and light. Throughout his career spanning six decades, Reed worked in a wide variety of mediums, including painting, sculpture, photography, printmaking, collage, graphic design, and computer-generated and enhanced imagery. His lifetime achievement as an artist, prolific production, and the variety of materials, techniques, and strategies explored in his art rank him as one of America’s most significant painters active in the second half of the twentieth and early twenty-first centuries.

Paul Reed: A Retrospective is organized by the Oklahoma City Museum of Art and curated by David Gariff, PhD.

Admission: free

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

View on site | Email this event

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

The exhibition is organized into three themes:

• The Spirits of Revolution: Taverns, Political Dissent, and Community in Hampton Roads

• A World at War: Revolutionary Lives of Soldiers and Civilians in Hampton Roads

• Documenting Commemoration: The Making of Revolutionary Memory in Hampton Roads.

In addition, in an area titled "A Digital Revolution," visitors will be invited to go beyond the gallery walls by connecting them to student research and digital exhibits on the website Explore History, by exploring an augmented reality recreation of a Continental Army encampment on the Ferguson Field, complete with 3D renderings of artifacts discovered in Hampton Roads, by immersing themselves in a virtual reality experience based on the Battle of Yorktown, and by listening to a Past is Prologue podcast episode on the Revolutionary Era’s founding families.

The museum exhibtion and full VA250 programming schedule is sponsored by the Institute for Public Humanities, the Public History Center, and the School of the Arts, in cooperation with the Mary M. Torggler Fine Arts Center.

The exhibition is free and open to the public in the Mary M. Torggler Fine Arts Center at Christopher Newport University, Tuesday-Saturday 10:00 am to 5:00 pm (closed Sundays, Mondays, and July 4th). Most of the special events programming occurs on Mondays in the Torggler Lecture Hall unless otherwise noted on the full VA250 schedule, which can be found at cnu.edu/iph.

View on site | Email this event

View on site | Email this event